Yo creía que árboles rarosolo los había en Vilacañaspero este merece una pared
Beautiful!, other tools, other kind of control.(BTW, they took my breath away too ;) ...).Saludos,Ernesto
Love the tree painting!If you would paint a view of Venice with this style people would think that Francesco Guardi is still alive.
wow! I love how you play with scale and composition. Excellent work
Reports of Limbolo's death have been grossly exagerated.Viva Limbolo!
I am glad that you are back Neil.Fantastic painting. I love the tree.
You're a very strong man Mr Limbolo.
Jeeeeeezzzz there are beautifull fullI almost cry everytime I visit your blog :)
Chhuy-ing,Not feeling too strong just now. (I am recovering from a recent attempt on my life.)Yacin,Don't cry...It's only a movie.
Mr Límbolo. I think, that every farewell is a little attempt on our life. Los regresos nos hace sentir cada vez más fuertes.Thanks a lot for your comeback.
Lazarus Limbolo (new from Calvin Kline)
Woooooooo ..... Love that tree ... sooo majestic! Love the negative space on the top one too!
Good to see you're not leaving bloggers comunity, Mr. Ross.Truly amazing paintings. Just to ease my curiosity; is it both acrylics?Comment on Guardi is absolutely right. I agree.
Both are acrylic, yes.Done a few years ago.
Oh Neil. This is pure imagination.Fantastic, tree, fantastic everything.
Dieu c'qu'il peut etre ennervant!Beautiful - *now totally depressed* As usual *sigh*
Your paintings portray epic stillness/silence/tension. I especially love the dramatic contrast of sizes. Very cool!
wow! that's a great acrilyc touch!love your work!
Have been enjoying your blog for many months now, must drop a comment, first saw your work at Nelvanarama when you worked on 'Thief' a few...quite a few years back; I was one of many little munchkins from other departments that would skulk around and oogle your georgeous development paintings and drawings. They are even more georgeous, both the digital work, and the watercolour/goauche like these, a great pleasure to see. Best wishes maestro, Clive.
Ah, good to see you're still at it Neil. The 'tree' painting is the one for me - fun to interpret the ambiguous narrative, is the bull about to charge? Is it more afraid than the human figures? Are they hiding from each other? The giant tree dwarfs the bull & makes it seem more docile. Great colour palette on this one, could be Spain or southern France?
These are fantastic. The top one is very eerie and the tree is sublime! Great work!
one day I'll go to a shop and buy a beautiful book about "Limbolo's" work, the kind of "Albert Brenet" book, when you're just amazed at each paintings.
Thank you all, for your generous remarks.Regarding the BULLTREE:I like Bulls and trees and wide-open spaces. Regarding the top picture:As Burt Bacharach and Hal David once said..."A house is not a home."
wow! Your paintings are so beautiful. I have been following your blog for a while now. I just want to say thank you for sharing your work. I am completely in awe everytime I visit.
Fantastic. I have to admit I thought to myself when I looked at these that your digital work had reached the point where you really didn't need to do stuff by hand. ;-) I need to look at blogs a little more carefully in the light of day.
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